The New German Cinema
FILM 320
Spring 2027
| Section:
01
|
| Crosslisting:
GRST 253, GELT 253 |
This course will investigate the aesthetics, politics, and cultural context of the new German cinema. Having established a critical vocabulary, we will study the influence of Bertolt Brecht's theoretical writings on theater and film, ambivalent positions vis-à-vis the classic Hollywood cinema, issues of feminist filmmaking, and the thematic preoccupations peculiar to Germany, for example, left-wing terrorism and the Nazi past. Attendant materials will include literary sources, screenplays, and interviews. |
| Credit: 1 |
Gen Ed Area Dept:
HA FILM |
| Course Format: Lecture / Discussion | Grading Mode: Graded |
| Level: UGRD |
Prerequisites: None |
|
Fulfills a Requirement for: None |
| SECTION 01 |
Major Readings: Wesleyan RJ Julia Bookstore
Films by: Fassbinder, Herzog, Alexander Kluge, Helke Sander, Schloendorff, and Wim Wenders. Literature: Rainer Werner Fassbinder, THE ANARCHY OF THE IMAGINATION Werner Herzog, HERZOG ON HERZOG Brecht, WRITINGS ON ART AND THE THEATER Secondary Sources: James Monaco, HOW TO READ A FILM; Anton Kaes, FROM HITLER TO HEIMAT
|
Examinations and Assignments:
One short essay (3 - 5 pages), midterm exam, final research paper (10 - 12 pages). |
Additional Requirements and/or Comments:
One screening per week on Tuesdays. On Thursdays, the class will be divided into two discussion sections. Students with knowledge of German or a background in film or literary studies are especially welcome. |
Instructor(s): STAFF Times: ..T.... 08:50AM-11:50AM; ....R.. 08:50AM-11:50AM; Location: TBA |
| Total Enrollment Limit: 19 | | SR major: 5 | JR major: 5 |   |   |
| | GRAD: X | SR non-major: 3 | JR non-major: 2 | SO: 2 | FR: 2 |
|
|