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CS92PROD
The Law, the Citizen, and the Literary and Cinematic Imaginations
ENGL 350
Spring 2026
Section: 01  
Crosslisting: AMST 350, AFAM 350

What gives the law its authority? (Can it remember?) Does it have rational or mystical foundations? What are the functions of the categories of slave, savage, scapegoat, stranger, other, family, and citizen in and for the law? How do we apprehend the relationship between the extensively legalized violations of the earth, the black, and the feminine? What gives the ongoing event of the Middle Passage so much force, and on a planetary scale? If laws of hospitality are sacred, then what are the implications of their prolific sacrilege? And what, for we can trace it, do such laws¿ selective ¿application¿ have buried within them? This course will attune us to who/what may be incorporated into the body politic and who/what cannot be borne in the letter, by design, and on safeguarded, terrorizing terms -- legal, historical, and metaphysical, yes, and harboring those, ontological. We will read and analyze how literary and cinematic texts represent, critique, as well as reproduce the rhetorical and psychic effects of the law. To echo Calvin Warren, ¿[Our] concern is not a particular law, but that all the laws are subordinate to a Law.¿ Thus, while we will look at the language and aesthetic configurations of specific legal events and echoes -- the Zong Case, partus sequitir ventrem, Jim Crow, Nuremberg Laws, The Code of Native Status (in French-occupied Algeria), and so on -- we will not do so ¿comparatively¿ nor to inadvertently idolize encoded violence, but to apprehend what is buried and stirs beneath the law¿s foundations.
Credit: 1 Gen Ed Area Dept: HA ENGL
Course Format: SeminarGrading Mode: Student Option
Level: UGRD Prerequisites: None
Fulfills a Requirement for: None
Past Enrollment Probability: Not Available

Last Updated on JUN-30-2025
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